*Winner of the European Award for Investigative And Judicial Journalism 2021* *Winner of the Premio Alessandro Leogrande Award for Investigative Journalism 2022* *Winner of the Premio Angelo Vassallo Award 2022* 'I want to live in a society where secret power is accountable to the law and to public opinion for its atrocities, where it is the war criminals who go to jail, not those who have the conscience and courage to expose them.' It is 2008, and Stefania Maurizi, an investigative journalist with a growing interest in cryptography, starts looking into the little-known organisation WikiLeaks. Through hushed meetings, encrypted files and explosive documents, what she discovers sets her on a life-long journey that takes her deep into the realm of secret power. Working closely with WikiLeaks' founder Julian Assange and his organisation for her newspaper, Maurizi has spent over a decade investigating state criminality protected by thick layers of secrecy, while also embarking on a solitary trench warfare to unearth the facts underpinning the cruel persecution of Assange and WikiLeaks. With complex and disturbing insights, Maurizi’s tireless journalism exposes atrocities, the shameful treatment of Chelsea Manning and Edward Snowden, on up to the present persecution of WikiLeaks: a terrifying web of impunity and cover-ups. At the heart of the book is the brutality of secret power and the unbearable price paid by Julian Assange, WikiLeaks and truthtellers.

*Winner of the European Award for Investigative And Judicial Journalism 2021* *Winner of the Premio Alessandro Leogrande Award for Investigative Journalism 2022* 'I want to live in a society where secret power is accountable to the law and to public opinion for its atrocities, where it is the war criminals who go to jail, not those who have the conscience and courage to expose them.' It is 2008, and Stefania Maurizi, an investigative journalist with a growing interest in cryptography, starts looking into the little-known organisation WikiLeaks. Through hushed meetings, encrypted files and explosive documents, what she discovers sets her on a life-long journey that takes her deep into the realm of secret power. Working closely with WikiLeaks' founder Julian Assange and his organisation for her newspaper, Maurizi has spent over a decade investigating state criminality protected by thick layers of secrecy, while also embarking on a solitary trench warfare to unearth the facts underpinning the cruel persecution of Assange and WikiLeaks. With complex and disturbing insights, Maurizi's tireless journalism exposes atrocities, the shameful treatment of Chelsea Manning and Edward Snowden, on up to the present persecution of WikiLeaks: a terrifying web of impunity and cover-ups. At the heart of the book is the brutality of secret power and the unbearable price paid by Julian Assange, WikiLeaks and truthtellers.

A story inspired by the life and times of Jimmy Gralton and a country hall in Ireland. Jimmy Gralton's sin was to build a dance hall on a rural crossroads in Ireland where young people could come to learn, to argue, to dream...but above all to dance and have fun. Jimmy's Hall celebrates the spirit of these free thinkers. Features Full screenplay Photos from the film Production notes from cast and crew, including Paul Laverty, Ken Loach and Rebecca O'Brien Historical context for Jimmy Gralton

Fergus met Frankie on his first day at school and they've been in each others' shadow ever since. As teenagers they skipped school and drank cider on the ferry over the River Mersey, dreaming about travelling the world. In September 2004, Fergus persuaded Frankie to join his security team in Baghdad: GBP10,000 a month, tax free; their last chance to 'load up' in this increasingly privatised war. Together they risked their lives in a city steeped in violence, terror and greed, and awash with billions of US dollars. Three years later, Frankie is killed on Route Irish, the most dangerous road in the world. Back in Liverpool, a grief-stricken Fergus rejects the official explanation that Frankie was simply in the wrong place at the wrong time, and begins his own investigation into his soul mate's death. Only Rachel, Frankie's partner, grasps the depth of Fergus's sorrow, and the lethal possibilities of his fury as he struggles to find his old self and the happiness he shared with Frankie twenty years earlier on the Mersey. Features the full screenplay, character backstory, production notes and photographs from the film, plus background essays by Mark Townsend, Haifa Zangana and Mike Phipps.

Collection of TV dramas by the acclaimed British film maker Ken Loach. 'The Big Flame' (1967) and 'Rank and File' (1971) are trademark Loach dramas, detailing with sympathy the plight of workers caught up in industrial disputes at the Liverpool docks and the Pilkington glassworks, respectively. 'Three Clear Sundays' (1965) tells the story of Danny (Tony Selby), a young man facing up to the death penalty after an attempt to help reduce the sentence of two other prison inmates goes badly wrong. 'Days of Hope' (1975) is an epic four-part series starring Paul Copley, Pamela Brighton and Nikolas Simmonds as members of a working class family whose fortunes are depicted from the end of WWI to what they perceive as their betrayal in the General Strike of 1926. 'The End of Arthur's Marriage' (1965) offers something of a departure from Loach's conventional films, an adaptation of a musical scripted by Christopher Logue. 'In Two Minds' (1967) stars Anna Cropper and examines the plight of those suffering from schizophrenia. 'Up the Junction' (1965) raised the issue of abortion, at the time illegal, and played a major role in shaping public debate on the issue. Its influence in this regard was possibly only surpassed by Loach's most famous TV drama 'Cathy Come Home' (1966), which follows the struggles of young bride Cathy (Carol White) as she struggles to keep a roof over herself and her children in a housing system that seems constantly to be working against her. 'The Price of Coal' (1977) is a two-part drama set in a Yorkshire mining village which contrasts the humour of the working men (many played by actual comedians, including Duggie Brown) with the dangerous conditions in which they are forced to earn a living.